Joey’s Home Movies for the Week of February 19th – The “V/H/S” Boxed Trilogy Looks Scary


Welcome back to my home movies!What I bring to you today is the latest special set V/H/S Movies lead the way. A series of Criterion Collections were also released this week, forming an interesting section. What else is on the way? Read carefully to find out…

Joey's top choice

shudder

V/H/S/triple function

Contains consists of V/H/S/94, V/H/S/99and V/H/S/85This latest installment in the horror anthology trilogy lays the series' strongest foundation yet.See how I talk about each one, from V/H/S/94 Two years ago:

once Upon a time, V/H/S The franchise offers something new for horror fans. Not only does it bring back the anthology film, but it utilizes the found footage concept and it stands out. first movie, V/H/Sand the next part S/V/H/S (or vertical/vertical/vertical/2) are both solid horror films.then came V/H/S virus, this is a pitfall of the series.Now, we have V/H/S/94, which is no longer what horror movie lovers expect. It's a shame too, because this movie gets things back in the right direction. This is a strong sequel that's on par with its predecessor, and if you like blood and grit, it's worth your time. “Shudder,” released this weekend, is sure to please those who love blood and gore.

this is mine V/H/S/99 Review:

V/H/S/99 It's a step down from the previous installment, but there's an understated intelligence to it that keeps you watching.However V/H/S virus Total misfire, everything else was good or better. While the last one only really surpasses one, there's still enough here to merit a simple recommendation for horror fans.

Finally the most recent comment, which is V/H/S/85:

this V/H/S The franchise has swung back and forth in quality over the years. Originally a solid, if not spectacular, anthology series, its times seemed to come and go. Then, V/H/S/94 The property was given new life two years ago. last year, V/H/S/99 There has been progress over time, but there has been a regression in quality.However, here we have something new V/H/S/85, the whole is at the upper level, but it is the first one without bad segments. Go figure it out.

V/H/S/85 What's interesting is that it doesn't necessarily have standout moments, but there aren't any moments that drag the movie down either. As a result, this movie is easily the most consistent one yet. Does the lack of ebb and flow feel novel or strange to the audience? I can’t say, but I do feel grateful that this is the case this time.

Also available this week

RLJE movies

The fight in cell 99 (4K)

dark game

Greena

Kubo Won’t Make Me Invisible: Complete Collection (television)

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on fire

From the Criterion Series: “While on vacation in the Baltic Sea, writer Leon (Thomas Schubert) and photographer Felix (Langston Uebel) are surprised to meet Nadja (Paula Beale), A mysterious young woman visits Felix at his vacation home, and Nadja soon distracts Leon from completing his latest novel, not least because of her relationship with lifeguard David (Eno Trebus). As Nadja and Léon grow closer, a spreading forest fire threatens the group and prompts the writer. Discover whether he can truly care about anything but himself. Christian Petzold's critically acclaimed latest film won the Silver Bear, Grand Jury Prize at the 2023 Berlin International Film Festival.

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Heroic Trio/Executioner

From the Criterion Series: “The star power of film icons Maggie Cheung, Anita Mui and Michelle Yeoh powers these brilliant, no-holds-barred action joyrides from director Johnnie To and action choreographer Cheng Siu-tung. this heroic trio and its sequel, executioner, Follow the footsteps of a new kind of Justice League: a team of blade-throwing, shotgun-toting, kung-fu-fighting heroines who join forces to fight evil in a dystopian noir city. Combining dizzying martial arts mayhem with thrilling comic book madness, these beloved superhero films reinvented the genre through the dazzling talent of the Hong Kong film industry's heyday.

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Nothing but a man

From the Criterion Collection: “Michael Roemer's groundbreaking first feature, beautifully shot by his close collaborator Robert M. Young, is a resonant expression of humanity in the face of vicious prejudice. Made at the height of the Civil Rights Movement , Nothing but a man The cost of systemic racism is revealed through an honest portrayal of a black Southern railroad worker (Ivan Dixon), who faces the daily challenges of discrimination and economic instability as he attempts to live with his new wife ( Jazz master Abby Lincoln) settles down and searches for his family. Admired by Malcolm X and now recognized as a landmark of American cinema, this tender film's social critique is grounded in the unforgettable complexity and authenticity of its characters.

Stay tuned for more next week…



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